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Whether stabilising objects for storage or conserving them for display the utmost professional care and conduct is adhered to during the conservation process. 

 

Prior to treatment, condition assessments are undertaken to establish treatment priorities for every object. Clients are then consulted regarding treatment options and any ethical consideration and risk is clearly explained before proceeding with treatment. 

 

Every treatment is completely documented and all written and photographic documentation is delivered to the owner on completion of the treatment. 

 

Below you'll find some examples of my work.

Conservation of Objects

Organics

Inorganics

Metals

Objects

Pre-treatment

Pre-treatment

Pre-treatment

Pre-treatment

Inside lid detail

Inside lid detail

Pre-treatment

Pre-treatment

Pre-treatment

Pre-treatment

Pre-treatment

Pre-treatment

Pests from Porcupine Quill Box x2

Pests from Porcupine Quill Box x2

Pre-treatment

Pre-treatment

Detail of ingrained dirt

Post-treatment

Post-treatment

Post-treatment

Post-treatment

Post treatment

Post treatment

Post-treatment

Post-treatment

Post-treatment

Post-treatment

Post-treatment

Post-treatment

Victorian Porcupine Quill Box

​​
Owner specifications: Stabilise for Storage

 

Treatment included:

  • Freezing to treat pest infestation

  • Museum vacuuming to remove loose dust and dirt

  • Cleaning the quills and removing ingrained dirt with deionised water

  • Consolidating damaged quills and adhereing loose quills in place with Klucel G in deionised water

  • Supporting the box compartments and replacing list handles with perspex

Pre-treatment

Pre-treatment

Pre-treatment

Pre-treatment

Interim treatment

Interim treatment

Right side of face cleaned and consolidated

Post-treatment

Post-treatment

Detail of face completely cleaned and consolidated

Post-treatment

Post-treatment

Hands cleaned and consolidated

Post-treatment

Post-treatment

Cotton dress humidified and supported

Post-treatment

Post-treatment

Detail shot of label on wheelbarrow

Post-treatment

Post-treatment

Post-treatment

Post-treatment

Post-treatment

Post-treatment

Pedlar Doll

​​
Owner specification: Conserve and Stabilise for Display

 

Treatment included: 

  • Cleaning & consolidating painted surfaces with 2% Klucel G in IMS

  • ​Consollidating the delaminating cardboard hat with 4% Klucel G in IMS

  • Gapfilling the hat with japanese tissue paper

  • Crafting a Plastazote® base to remove mechanical stress from the wheels

  • Drycleaning paper label on wheelbarrow

  • Humidifying the textiles to relax the fabric

  • Supporting the cotton dress with a Melinex® underskirt

I am skilled in the conservation of both historical and archaeological metal; my spaciality involves the conservation and investigation of Roman Lead Cursus Tablets. I have undertaken numours projects investigating possible curse tablets for a different institutions. 

Roman Curse Tablet

Roman Curse Tablet

as excavated

Roman Curse Tablet

Roman Curse Tablet

Inscribed with 'XIV' repeated.

Possible Roman Curse Tablet

Possible Roman Curse Tablet

as excavated

Possible Roman Curse Tablet

Possible Roman Curse Tablet

Opened; no inscription foud

Archaeological Copper Alloy

Archaeological Copper Alloy

as excavated

Arrow Head

Arrow Head

conserved via mechanical cleaning

Roman Iron Stylus

Roman Iron Stylus

As excavated

Roman Stylus

Roman Stylus

Conserved; showing brass decoration

Gold George V soverign

Gold George V soverign

Pre-conservation

George V soverign

George V soverign

Post-conservation

LN 9053.04 (2) copy.jpg

LN 9053.04 (2) copy.jpg

LN 9053.04 (1).JPG

LN 9053.04 (1).JPG

2013.06.0891.JPG

2013.06.0891.JPG

2013.06.0893.JPG

2013.06.0893.JPG

I relish the challenge of restoring archaeological and historical ceramics to reveal their original shape and form. This process also increases their aesthetical appeal. All restoration work is undertaken in a sympathetic and ethical manner.

 

Further inorganic projects include the conservation of stone, marble and glass. 

Worcester Porcelain circa 1805

Worcester Porcelain circa 1805

pre-conservation

Gap Fill in Porcelain

Gap Fill in Porcelain

Worcester Porcelain circa 1805

Worcester Porcelain circa 1805

post-conservation

Classical Greek Jug

Classical Greek Jug

pre-conservation

Classical Greek Jug

Classical Greek Jug

post-conservation

Fragment of Greek ornament

Fragment of Greek ornament

pre-conservation

Fragment of Greek ornament

Fragment of Greek ornament

post-conservation

Greek Female Terracotta Face

Greek Female Terracotta Face

pre-conservation

Greek Female Terracotta Face

Greek Female Terracotta Face

post-conservation

Glass bead

Glass bead

pre-conservation

Glass bead

Glass bead

post-conservation

Marble fragment

Marble fragment

pre-conservation

Marble fragment

Marble fragment

post-conservation

Greek ostrica

Greek ostrica

pre-conservation

Greek ostrica

Greek ostrica

post-conservation

Hanging Textiles

Hanging Textiles

Dry cleaning textiles

Dry cleaning textiles

Preparing textiles for storage

Preparing textiles for storage

Condition checking textiles

Condition checking textiles

Making bespoke support for textiles

Making bespoke support for textiles

Making bespoke dust jackets

Making bespoke dust jackets

Archaeological bone

Archaeological bone

pre-conservation

Archaeological bone

Archaeological bone

post-conservation

Waterlogged leather

Waterlogged leather

pre-conservation

Waterlogged leather

Waterlogged leather

record shot

Leather midsole

Leather midsole

post-conservation

Waterlogged wood

Waterlogged wood

pre-conservation

Wood - Newport Ship Treenail

Wood - Newport Ship Treenail

post-conservation

I have experience of working on a variety of organic objects, including, textiles, leather, bone and wood. I have worked with both dry and waterlogged organics. 

Sara Brown

Conservator

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